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Download After Jews And Arabs: Remaking Levantine Culture by Ammiel Alcalay PDF

By Ammiel Alcalay

Alcalay (Hebrew literature, urban U. of latest York) argues that the very parts of the historic relatives among Jews and Arabs, and the character of the Levant itself, offer instruments for resolving the present state of affairs within the center East. His sections hide discontinued traces drafts for an itinerary,

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63 One could go on and on, even into the metaphysical realm, as described in Kalman Katznelson's notorious The Ashkenazi Revolution. After defining the Jews as a "congregation of peoples," Katznelson goes on to discuss why the Ashkenazi "people" or "nation" are superior: Ashkenazi rule over the Afro-Asiatic Jewish peoples and over the other non-Ashkenazi peoples continues even in the State of Israel. This Ashkenazi control is not the fruit of the means and tools at its disposal, but the result of Ashkenazi control over time.

As Claire Gebeyli, a Lebanese writer, put it: "Of what use is the pen if it forgets to press down on people's breasts? "46 Maintaining the "necessary illusions" (to use Noam Chomsky's apt phrase), in which activities can be circumscribed and ladled out in rations of significance and insignificance, where aesthetics and politics are made out to be a contradiction in terms and people can be categorized in order to dilute their impact on changing accepted structures of power (whether these be cultural, political, economic, or social), ultimately means, again, to "abbreviate the human,"47 to cynically diminish human potential and agency in the world.

I am my wound and my wound is mine and what could be sweeter than this pain to the very end to every primitive beat what could be more pulsating than this pain to the very end to every African drum what could be more uplifting than this pain to the very end like the wailing of my failed mothers what is more right than this pain to the very end like the whispered psalms of my fathers what could be more twisting to the very end than the ascending scales of Eastern voices grating in your terror-stricken ears 60 Here Chetrit takes the syntax of the Song of Songs ("I am my beloved's, and my beloved is mine.

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